The monograph is devoted to the study of the phenomenon of Ukrainian piano culture of the twentieth century, formed by the stylistic paradigm of pianistic activity of artistic and extra-artistic scope in the variety of regional schedules of national creative life. For the first time, the methodological basic role of piano discourse in the inequality and qualitative antithetical coexistence of the Beethovenian and Mozartian style constituents of the paradigmatic background of the pianistic culture of the last century, whose specificity is identified by the terminology of the discourse, is defined.
The book is intended for researchers, educators, students, practitioners who are aware of the contemporary emancipation of performing activity and the significance of extra-artistic virtues.
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